{"id":1104,"date":"2021-03-12T01:28:13","date_gmt":"2021-03-12T00:28:13","guid":{"rendered":"https:\/\/www.lespcl.com\/about-us\/what-we-do\/"},"modified":"2021-11-26T11:29:27","modified_gmt":"2021-11-26T10:29:27","slug":"repertoire-collaboration","status":"publish","type":"page","link":"https:\/\/www.lespcl.com\/en\/about-us\/repertoire-collaboration\/","title":{"rendered":"Repertoire[s] &#038; Collaboration"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_single_image image=&#8221;815&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h2>Original works<\/h2>\n<p>Their music works have been played or premiered by the Percussions Claviers de Lyon:<\/p>\n<p>[\/vc_column_text][vc_column_text el_class=&#8221;four-cols&#8221;]<\/p>\n<p>Ali N. ASKIN<br \/>\nDenis BADAULT<br \/>\nGavin BRYARS<br \/>\nPatrick BURGAN<br \/>\nJohn CAGE<br \/>\nJacques CASTEREDE<br \/>\nJoanne C<br \/>\nThierry DE MEY<br \/>\nJean-Fran\u00e7ois ESTAGER<br \/>\nMoritz EGGERT<br \/>\nDenis FARGETON<br \/>\nEric FISHER<br \/>\nGraham FITKIN<br \/>\nG\u00e9rard GASTINEL<br \/>\nBruno GINER<br \/>\nClaude GIOT<br \/>\nPercy Aldridge GRAINGER<br \/>\nChris HUNG<br \/>\nMauricio KAGEL<br \/>\nLan-Chee LAM<br \/>\nPhilippe LAVERGNE<br \/>\nIgor LESNIK<br \/>\nDavid LOEB<br \/>\nJacques LOUSSIER<br \/>\nFran\u00e7ois NARBONI<br \/>\nJesper NORDIN<br \/>\nGabriela ORTIZ<br \/>\nLo\u00efc MALLIE<br \/>\nMarc MELLITS<br \/>\nSergio MENOZZI<br \/>\nRich O&#8217;MEARA<br \/>\nAndy PAPE<br \/>\nRobert PASCAL<br \/>\nThierry P\u00c9COU<br \/>\nArnaud PETIT<br \/>\nGilles RACOT<br \/>\nSteve REICH<br \/>\nEmil RICHARDS<br \/>\nPauli I SANDAGEROI<br \/>\nEmmanuel S\u00c9JOURN\u00c9<br \/>\nJulie Arlene SPENCER<br \/>\nYoshihisa TA\u00cfRA<br \/>\nAlbert TOVI<br \/>\nDenis VINZANT<br \/>\nAlain WEBER<br \/>\nYi XU<br \/>\nTsung-Hsien YANG<br \/>\nXiao-Fu ZHANG<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h2>Transcription<\/h2>\n<p>The Percussions Claviers de Lyon have played the transcription of:<\/p>\n<p>[\/vc_column_text][vc_column_text el_class=&#8221;four-cols&#8221;]Leroy ANDERSON<br \/>\nB\u00e9la BART\u00d3K<br \/>\nLeonard BERNSTEIN<br \/>\nChico BUARQUE<br \/>\nDean BOTTORF<br \/>\nHarry BREUER<br \/>\nGus CHANDLER \u2013 Bert WHITE \u2013 Henry COHEN<br \/>\nRuperto CHAPI<br \/>\nDmitri CHOSTAKOVITCH<br \/>\nChick COREA<br \/>\nJoseph M. DALY<br \/>\nClaude DEBUSSY<br \/>\nLeo DELIBES<br \/>\nPaul DUKAS<br \/>\nFran\u00e7ois DUPIN<br \/>\nJohann Christian FISCHER<br \/>\nPietro FROSINI<br \/>\nGiovanni GABRIELI<br \/>\nByron GAY<br \/>\nGeorge GERSHWIN<br \/>\nJay GRAYDON \u2013 David FOSTER<br \/>\nTed GROUYA<br \/>\nJoe HISAICHI<br \/>\nAntonio Carlos JOBIM<br \/>\nCharles JOHNSON<br \/>\nMichel JONASZ<br \/>\nScott JOPLIN<br \/>\nPascal KINADJIAN<br \/>\nDarius MILHAUD<br \/>\nAlan MENKEN<br \/>\nOlivier MESSIAEN<br \/>\nThelonious MONK<br \/>\nGabriela ORTIZ<br \/>\nJeff PENDERS<br \/>\nBaden POWELL<br \/>\nCole PORTER<br \/>\nSergei PROKOFIEV<br \/>\nAlfred REED<br \/>\nMaurice RAVEL<br \/>\nNikolai RIMSKY-KORSAKOV<br \/>\nRoger ROGER<br \/>\nAlbert ROUSSEL<br \/>\nErik SATIE<br \/>\n\u00c9milie SIMON<br \/>\nCamille SAUVAGE<br \/>\nIgor STRAVINSKY<br \/>\nJule STYNE<br \/>\nHeitor VILLA-LOBOS<br \/>\nFranck ZAPPA[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h2>International collaborations<\/h2>\n<h3><strong>2019 <em>Ravel transatlantic<\/em> tour in the United States and Canada<\/strong><\/h3>\n<p>In addition to concerts with pianist H\u00e9l\u00e8ne Tysman: residency at the Lyc\u00e9e Fran\u00e7ais de New York and master classes in four universities.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=FBrIP77x0Kg\">Video<\/a> \u2013 Lyc\u00e9e Fran\u00e7ais de New-York \u2013 with English Subtitles<\/li>\n<\/ul>\n<h3><strong>2018 <em>Calamity\/Billy<\/em>: a France-Netherlands co-production<\/strong><\/h3>\n<p>Musical performance directed by Jean Lacornerie with singers Bertrand Belin and Claron McFadden. Coproduction Muziek transparant (Antwerp), Operadagen (Rotterdam), Th\u00e9\u00e2tre de la Croix-Rousse, Th\u00e9\u00e2tre de la Renaissance, Maison de la Culture de Bourges, Concertgebouw Bruges.<\/p>\n<h3><strong>2015-2016 Collaboration with Sixtrum Ensemble (Montreal)<\/strong><\/h3>\n<p><em>Bat\u00e8ches<\/em>, a concert dedicated to Gaston Miron, French Canadian poet. Music by composer Patrick Burgan for the two percussion ensembles. Performances in France and Quebec.<\/p>\n<h3><strong>2014 France-China\/Hong Kong Educational Cooperation<\/strong><\/h3>\n<p>Supervision of a percussion academy in Hong Kong at the Baptist University; premieres of two Chinese composers, <em>The Sea<\/em> by Jun Chen Yan, and <em>Vibrant City<\/em> by Chris Hung.<\/p>\n<h3><strong>2012 Collaboration with Ensemble Variances<\/strong><\/h3>\n<p>Programme <em>Mexico se pone de Fiesta! <\/em>including new pieces by Gabriela Ortiz and Thierry P\u00e9cou for the two ensembles. Concerts performed at the Op\u00e9ra de Rouen, the Op\u00e9ra-Th\u00e9\u00e2tre de Saint-Etienne, the Arsenal de Metz, the Lyon Auditorium, in Mexico DF and the International Cervantino Festival.<\/p>\n<h3><strong>2011-2015 Collaboration with the International Festival Chorus (China)<\/strong><\/h3>\n<p>Coproduction of <em>Dao<\/em> by Chinese composer He Shaoing for a singing soloist, five percussionists and mixed choir, conducted by Nicholas Smith. Performances at the Forbidden City Concert Hall, the Festival Croisements (Shanghai) and the Mus\u00e9e des Confluences (Lyon).<\/p>\n<h3><strong>2011 Collaboration with the Forum Music Ensemble (Taiwan)<\/strong><\/h3>\n<p>Commissions to French composer Francois Narboni and Taiwanese composer Tsung-Hsien Yang for both ensembles. <em>Legends <\/em>was performed at the National Theatre of Taipei, the Kaohsiung Auditorium, and in three venues in France.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h2>Overview<\/h2>\n<p>[\/vc_column_text][vc_column_text el_class=&#8221;two-cols&#8221;]<\/p>\n<p><strong>Bertrand Belin &amp; the Percussions Claviers de Lyon (2020)<br \/>\n<\/strong><strong>Concert<br \/>\n<\/strong>Bertrand Belin\u2019s repertoire<br \/>\nArrangements: Gilles Dumoulin, Bertrand Belin<br \/>\nScenography: Marc Lain\u00e9, St\u00e9phan Zimmerli<br \/>\nWith Bertrand Belin, vocals and guitar, Thibault Frisoni, keyboards and bass<\/p>\n<p><strong>The Martians (2019)<br \/>\n<\/strong><strong>Adapted and directed by Laurent Fr\u00e9churet<br \/>\n<\/strong>Commission to German composer Moritz Eggert<strong><br \/>\n<\/strong>Texts: Ray Bradbury<br \/>\nMusic coordination: Gilles Dumoulin<br \/>\nInteractive digital creation: Scenocosme<br \/>\nWith Claudine Charr\u00e8re and Mychel Lecoq, actors<br \/>\nVoice-overs <em>(English version)<\/em>: Denis O\u2019Hare, Bob Lipman<\/p>\n<p><strong>From New York to London (2019)<br \/>\n<\/strong><strong>Concert<br \/>\n<\/strong>Music: Gavin Bryars (commission), Graham Fitkin (commission), Leonard Bernstein (transcription G\u00e9rard Lecointe), Morton Feldman, Steve Reich, John Cage.<br \/>\nMusical content suggested by Gilles Dumoulin and Jo\u00ebl Suhubiette<br \/>\nDirection: Jo\u00ebl Suhubiette<br \/>\nWith the chamber choir Les \u00e9l\u00e9ments<\/p>\n<p><strong>En blanc et noir (2018)<br \/>\n<\/strong><strong>Performance<br \/>\n<\/strong>Music: Claude Debussy, Denis Fargeton (commission), Olivier Messiaen<br \/>\nMusic suggested by Gilles Dumoulin<br \/>\nTranscription: Rapha\u00ebl Aggery, G\u00e9rard Lecointe, Gilles Dumoulin<br \/>\nWith David Myriam, plastic artist<\/p>\n<p><strong>Calamity\/Billy (2018)<\/strong><br \/>\n<strong>Directed by Jean Lacornerie<\/strong><br \/>\nCommission to English composer Gavin Bryars, and with the music of Ben Johnston<br \/>\nTexts: Jean McCormick, Michael Ondaatje<br \/>\nIllustrations: St\u00e9phane Zimmerli<br \/>\nMusical Direction: G\u00e9rard Lecointe<br \/>\nWith Claron McFadden, Bertrand Belin, singers, Lyonel Schmit, violonist<\/p>\n<p><strong>Mille et Une (2017)<\/strong><br \/>\n<strong>Directed by Abdelwaheb Sefsaf<\/strong><br \/>\nCommission to French composer Patrick Burgan<br \/>\nTexts: Marion Aubert, R\u00e9mi De Vos, Marion Guerrero, J\u00e9r\u00f4me Richer, Abdelwaheb Sefsaf<br \/>\nMusical Direction: Gilles Dumoulin<br \/>\nWith Juliette Steimer, actor<\/p>\n<p><strong>Halla San (2016)<\/strong><br \/>\n<strong>Concert<\/strong><br \/>\nCommission to French composer Arnaud Petit, and with the music of Uzong Choe, Claude Debussy<br \/>\nWith Yuree Jang, soprano<br \/>\nNarrator: Didier Sandre (<em>Com\u00e9die-Fran\u00e7aise)<\/em><\/p>\n<p><strong>Airs de danse (2015)<\/strong><br \/>\n<strong>Concert<\/strong><br \/>\nMusic: Graham Fitkin, Albert Roussel, Igor Stravinsky, Dmitri Chostakovitch<br \/>\nTranscription: Gilles Dumoulin, G\u00e9rard Lecointe<\/p>\n<p><strong>Les Temps modernes (2015)<\/strong><br \/>\n<strong>Reading performance<\/strong><br \/>\nMusic: Paul Dukas, commissions to German composer Moritz Eggert, Joe Hisaishi<br \/>\nTranscription: Rapha\u00ebl Aggery<br \/>\nText and Musical Direction: Gilles Dumoulin<br \/>\nWith Claudine Charreyre, actor<\/p>\n<p><strong>Vingt mille lieues sous les mers (2015)<\/strong><br \/>\n<strong>Directed by Emmanuelle Prager<\/strong><br \/>\nMusic: Claude Debussy, Paul Dukas, Albert Roussel, Camille Saint-Sa\u00ebns<br \/>\nText: Jules Verne<br \/>\nMusical Direction and Transcription: G\u00e9rard Lecointe<br \/>\nIllustrations: \u00c9tienne Guiol<br \/>\nOn screen: Olivier Borle, Renaud Golo, Baptiste Guiton<br \/>\nNarrator: J\u00e9r\u00f4me Quintard<\/p>\n<p><strong>Bat\u00e8ches (2015)<\/strong><br \/>\n<strong>Directed by Michel G. Barette<\/strong><br \/>\nCommission to Patrick Burgan<br \/>\nText: Gaston Miron<br \/>\nMusical Direction: G\u00e9rard Lecointe, Gilles Dumoulin<br \/>\nVideo Design: Sylvain Pohu and J\u00e9r\u00e9mie MacKenzie<br \/>\nWith the six-keyboard percussionnist ensemble &#8211; Sixtrum<\/p>\n<p><strong>Le Coq d&#8217;Or (2014)<\/strong><br \/>\n<strong>Directed by Jean Lacornerie<\/strong><br \/>\nMusic: Nicolai Rimsky Korsakov<br \/>\nText: Alexandre Pouchkine<br \/>\nMusical Direction and Transcription: G\u00e9rard Lecointe<br \/>\nAdaptation: Jean Lacornerie<br \/>\nIllustration: \u00c9tienne Guiol<\/p>\n<p><strong>Bells Are Ringing (2013)<\/strong><br \/>\n<strong>Musical directed by Jean Lacornerie<\/strong><br \/>\nMusic: Jule Styne (libretto), Betty Comden and Adolph Green (lyrics)<br \/>\nTranscription, Musical Direction: G\u00e9rard Lecointe<br \/>\nIllustrations: \u00c9tienne Guiol<br \/>\nWith S\u00e9bastien Jaudon, piano, Gilles Bugeaud, Claudine Charreyre, Estelle Dani\u00e8re, Quentin Gibelin, Sophie Lenoir, Colin Melquiond, Julie Morel, Maud Vandenbergue, Jacques Verzier, Franck Vincent, singers<\/p>\n<p><strong>West Side Story en concert (2011)<\/strong><br \/>\n<strong>Artistic layout by Jean Lacornerie<\/strong><br \/>\nMusic: Leonard Bernstein, Stephen Sondheim (lyrics)<br \/>\nMusical Direction, Transcription: G\u00e9rard Lecointe<br \/>\nWith S\u00e9bastien Jaudon, piano, Perrine Madoeuf, Landy Andriamboavonjy, Pierre-Antoine Chaumien, Fabrice Alibert, singers<\/p>\n<p><strong>Mexico se pone de fiesta (2011)<\/strong><br \/>\n<strong>Concert<\/strong><br \/>\nCommission to composers Thierry P\u00e9cou and Gabriela Ortiz, and with the music of Guillermo Diego<br \/>\nWith Ensemble Variances<\/p>\n<p><strong>Trois contes (2008)<\/strong><br \/>\n<strong>Directed by Emmanuelle Prager<\/strong><br \/>\nMusic: Maurice Ravel<br \/>\nText: Charles Perrault<br \/>\nIllustration: Louise Kehl<br \/>\nMusical Direction, Transcription: G\u00e9rard Lecointe<br \/>\nOn screen: V\u00e9ronique Bettencourt, reciter<\/p>\n<p><strong>Hier, \u00e0 cette heure-l\u00e0, c&#8217;\u00e9tait maintenant (2005)<br \/>\n<\/strong><strong>Concert<br \/>\n<\/strong>With Denis Badault, jazz pianist and composer<\/p>\n<p><strong>\u00c9milie Simon et les Percussions Claviers de Lyon (2005)<br \/>\n<\/strong><strong>Concert<br \/>\n<\/strong>With singer and music composed by \u00c9milie Simon, Arnaud Crozatier, cello, Cyrille Brissot, live electronics<\/p>\n<p><strong>Mix (2003)<\/strong><br \/>\n<strong>Concert<\/strong><br \/>\nMusic: Jean-Luc Rimey-Meille, Doudou N&#8217;Diaye Rose<br \/>\nMusical Direction: Dominique Debart<br \/>\nWith the Orchestre r\u00e9gional de Normandie, Doudou N&#8217;Diaye Rose and the Batteurs de Dakar, sabar drums<\/p>\n<p><strong>Blok (2003)<\/strong><br \/>\n<strong>Music performance directed by Nicolas Ramond<\/strong><br \/>\nMusic: Henri-Charles Caget, G\u00e9rard Lecointe, Jean-Luc Rimey-Meille, Jean-Fran\u00e7ois Estager<\/p>\n<p><strong>Plan\u00e8te Claviers (1997)<\/strong><br \/>\n<strong>Music performance directed by Nicolas Ramond<\/strong><br \/>\nMusic: Emmanuel S\u00e9journ\u00e9<\/p>\n<p><strong>Atikapati (1994)<\/strong><br \/>\n<strong>Musical tale<\/strong><br \/>\nMusic: Jean-Luc Rimey-Meille, Isabelle Mathias (libretto)<br \/>\nWith a children&#8217;s choir and a reciter<\/p>\n<p><strong>La Ballade de Marie M&#8217;Ba (1988)<\/strong><br \/>\n<strong>Performance<\/strong><strong><br \/>\n<\/strong>Music: G\u00e9rard Gastinel<br \/>\nWith Jean-Louis Robert, reciter<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_single_image image=&#8221;815&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] Original works Their music works have been played or premiered by the Percussions Claviers de Lyon: [\/vc_column_text][vc_column_text el_class=&#8221;four-cols&#8221;] Ali N. ASKIN Denis BADAULT Gavin BRYARS Patrick BURGAN John CAGE Jacques CASTEREDE Joanne C Thierry DE MEY Jean-Fran\u00e7ois ESTAGER Moritz EGGERT Denis FARGETON Eric FISHER Graham FITKIN G\u00e9rard GASTINEL Bruno GINER Claude [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":868,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1104","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.lespcl.com\/en\/wp-json\/wp\/v2\/pages\/1104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lespcl.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lespcl.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lespcl.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lespcl.com\/en\/wp-json\/wp\/v2\/comments?post=1104"}],"version-history":[{"count":24,"href":"https:\/\/www.lespcl.com\/en\/wp-json\/wp\/v2\/pages\/1104\/revisions"}],"predecessor-version":[{"id":1431,"href":"https:\/\/www.lespcl.com\/en\/wp-json\/wp\/v2\/pages\/1104\/revisions\/1431"}],"up":[{"embeddable":true,"href":"https:\/\/www.lespcl.com\/en\/wp-json\/wp\/v2\/pages\/868"}],"wp:attachment":[{"href":"https:\/\/www.lespcl.com\/en\/wp-json\/wp\/v2\/media?parent=1104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}